The drawing of the Teresian College, a poster copy of Hiroya Tanaka’s original, is a fascinating document that captures the essence of Gaud\u00ed’s work. Unlike the organic and fluid forms of Casa Batll\u00f3 or Casa Mil\u00e0, this building is characterized by its geometric rigor and verticality, making it a testament to the architect’s versatility and ability to adapt to the needs of each project.
\nThe drawing presents the fa\u00e7ade in a front view, where Gaud\u00ed’s mastery in the manipulation of line and form can be appreciated. The building rises with austere elegance, dominated by a succession of pointed arches that evoke Gothic architecture. These arches, which are repeated rhythmically on each level, create a sense of order and harmony that contrasts with the fantasy of other of his works. The work of light and shadow in the drawing highlights the texture of the facade, built with exposed brick. The towers, which rise like spires towards the sky, and the top of the facades, with their battlements and crosses, add a touch of mysticism and solemnity to the composition. Despite its formal rigor, the drawing hints at the integration of natural elements, such as the foliage that can be glimpsed at the bottom of the drawing.
\nThis drawing is not just an architectural plan; it is a work of art in itself. It is a manifestation of Gaudi’s vision, a representation of how geometry, verticality and spirituality come together to create a masterpiece of Modernism. In Hiroya Tanaka’s stroke, the Teresian School reveals its soul: a building that transcends its function to become a visual story, a monument to creativity and imagination that has endured through time.<\/p>\n